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• Title: Andrew Teverson 2007: Salman Rushdie
• Author : revista de la Asociacion Espanola de Estudios Anglo-Norteamericanos Atlantis
• Release Date : January 01, 2008
• Genre: Language Arts & Disciplines,Books,Professional & Technical,Education,
• Pages : * pages
• Size : 68 KB

Description

Andrew Teverson 2007: Salman Rushdie. Contemporary World Writers. Manchester: Manchester UP. xvii + 259 pp. ISBN 978-0-7190-7051-8 If ever a writer's work lacked primal innocence, it is Salman Rushdie's. It is impossible to write about the Indian-born, US-resident, British national, secular-Muslim, postcolonial and globalised novelist/polemicist/celebrity without being controversial. Equally, there is more than one Rushdie, and that in numerous senses. Generically, there is a postmodern Rushdie claimed as a British writer, and a postcolonial Rushdie seen as part of Indian Writing in English (IWE); ideologically and chronologically, there is an earlier Rushdie viewed as a standard-bearer of progressive movements and a later Rushdie seen by some, at least, as a convert to establishment values; qualitatively and again chronologically, there is, for many, an earlier Rushdie, author of epoch-making fictions, and a later Rushdie whose works are of lesser value. Above all, there is a 'literary' Rushdie, emblematic of magic realism and postcoloniality and the author of Midnight's Children (1981), and a 'non-literary' Rushdie, his name a battleground between the advocates of free speech and those in both East and West who demand theocratic censorship, the author of The Satanic Verses (1988). Thanks to Khomeini's fatwa and the surrounding controversy, Salman Rushdie has surely become the writer most written about in literary history by those who have not read and will never read a word of his writings. Any detailed study of his work has to operate some kind of balance between these 'literary' and 'non-literary' aspects, and the volume under review opts essentially for the former while incorporating comment on the latter. This is no doubt a necessary choice for a study which aims to cover Rushdie's entire oeuvre, most of which is of no interest to those who see him only through the Verses prism; nonetheless, readers of a book like Andrew Teverson's still need to remember that the name Salman Rushdie has global reverberations for those who do not read books.

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